Cornerstones — Part 1 — Michael Fried discusses the practice of Douglas Gordon
Item
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Title
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Cornerstones — Part 1 — Michael Fried discusses the practice of Douglas Gordon
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Description
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Fried relates Gordon’s work to his own highly controversial essay Art and Objecthood (1967) as well as to various aspects of the antitheatrical tradition in French painting and art criticism from the mid-18th century on. Among the pieces Fried engages with are Gordon’s video installation 24 Hour Psycho (1993) in which the artist appropriates Alfred Hitchcock’s classic movie; Déjà-vu (2000) and Play Dead; Real Time (2003).
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Identifier
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08_13-AV-07
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Type
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Sound recording
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Format
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audio/mpeg
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Extent
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73 MB
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Is Part Of
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Cornerstones
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Rights Holder
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Kunstinstituut Melly
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Subject
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Cornerstones
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Date
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2013