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Surplus Authors — image 001 Wu Shanzhuan & Inga S. Thorsdottir, Echo, Narcissus, Sisyphus, 2011. Courtesy of the artists and Long March Space, Beijing
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Paola Pivi — Tulkus 1880 to 2018 — image 003 Photo: Aad Hoogendoorn
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Paola Pivi — Tulkus 1880 to 2018 — image 002 Photo: Aad Hoogendoorn
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Paola Pivi — Tulkus 1880 to 2018 — image 001 Photo: Aad Hoogendoorn
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The World Turned Inside Out — image 002 The World Turned Inside Out, Courtesy of APFEL
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The World Turned Inside Out — image 001 Installation view 2nd floor Witte de With. Courtesy Studio Miessen.
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The Temptation of AA Bronson — image 002 Portrait of AA Bronson by Ari Marcopoulos, 2010
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The Temptation of AA Bronson — image 001 Gareth Long, A More Precise Distance Between the Reader and the Ultimate Visions (2013)
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The Crime Was Almost Perfect — image 001 Image courtesy of APFEL (London)
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Rotterdam Cultural Histories #1: R.A.N. — image 001
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The Part In The Story Where A Part Becomes A Part Of Something Else — image 003 Chu Yun, Unspeakable Happiness II, 2003 Photo: Cassander Eeftinck Schattenkerk Courtesy Witte de With Center for Contemporary Art, 2014
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The Part In The Story Where A Part Becomes A Part Of Something Else — image 002 Trevor Yeung, Mr. Butterflies, 2012 Photo: Cassander Eeftinck Schattenkerk Courtesy Witte de With Center for Contemporary Art, 2014
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The Part In The Story Where A Part Becomes A Part Of Something Else — image 001 Felix Gonzalez-Torres, “Untitled”(Perfect Lovers), 1987 – 1990
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Hans van Dijk: 5000 Names — image 001 Hans van Dijk photographed in his appartment in Beijing by Zhang Hai’er
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Rotterdam Cultural Histories #2: Bik Van der Pol — image 001 Archives of Sculpture International Rotterdam
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Dai Hanzhi: 5000 Artists — image 001 Hans van Dijk photographed by Zhang Haier
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Rotterdam Cultural Histories #3: Stone in Water — image 001
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Art In The Age Of…Energy and Raw Material — image 002 MAP Office: Double Crown, 2015, gold spray paint, Trading Pit (Chicago Board of Trade), 2015, series of 15 drawings on tracing paper, and Strobank, 2012 (2015), straw bales, neon, screens, photographer Cassander Eeftinck-Schattenkerk, installation view Witte de With Center for Contemporary Art 2015
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Art In The Age Of…Energy and Raw Material — image 001 MAP Office, Strobank, 2012 (2015), straw bales, neon, screens; Nicholas Mangan, A World Undone (protolith), 2012, aluminium, glass, geological matter, 150 x 90 x 3 cm, photographer Cassander Eeftinck-Schattenkerk, installation view Witte de With Center for Contemporary Art 2015
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Mahony — Safe Harbour — image 002 Safe Harbour, Mahony, 2015, light box, print, blankets, 3 x 12 m, photographer Cassander Eeftinck-Schattenkerk, installation view Witte de With Center for Contemporary Art, 2015
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Mahony — Safe Harbour — image 001 Safe Harbour, Mahony, 2015, light box, print, blankets, 3 x 12 m, photographer Cassander Eeftinck-Schattenkerk, installation view Witte de With Center for Contemporary Art, 2015
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Character Is Fate — image 004
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Character Is Fate — image 003
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Character Is Fate — image 002
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Character Is Fate — image 001