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Rotterdam Cultural Histories #6: Video at the Lijnbaancentrum — image 001 Artist Jan van Munster working with video at the Lijnbaancentrum, photo: collection Municipal Archives Rotterdam
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Germaine Kruip – A Room, 4 Minutes — image 002 Germaine Kruip, A Room, 4 Minutes (detail), 2015
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Germaine Kruip – A Room, 4 Minutes — image 001 Germaine Kruip, A Room, 4 Minutes (detail), 2015
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Raimundas Malašauskas — What are we looking at tonight? — image 001 Raimundas Malašauskas, Whom we are looking at tonight?, photographer Cassander Eeftinck-Schattenkerk, installation view Witte de With Center for Contemporary Art 2015
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Michael Portnoy — Relational Stalinism – The Musical — image 003 Michael Portnoy, Rooms in Which…, onderdeel van Relbijional Stalinism – The Musical in 2016 bij Witte de With Center for Contemporary Art, fotograaf Aad Hoogendoorn
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Michael Portnoy — Relational Stalinism – The Musical — image 002 Michael Portnoy, 100 Big Entrances (WdW), part of Relational Stalinism – The Musical in 2016 at Witte de With Center for Contemporary Art, photographer Sofie Knijff
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Michael Portnoy — Relational Stalinism – The Musical — image 001 Performance, Relational Stalinism - The Musical, Michael Portnoy, Photo Aad Hoogendoorn
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Calla Henkel & Max Pitegoff — Foreword — image 011 Calla Henkel & Max Pitegoff, Foreword after adding the second excerpt from Emily Segal’s novel in progress (February 22), 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 010 Calla Henkel & Max Pitegoff, Foreword after adding the second excerpt from Emily Segal’s novel in progress (February 22), 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 009 Calla Henkel & Max Pitegoff, Foreword after adding the second excerpt from Emily Segal’s novel in progress (February 22), 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 008 Calla Henkel & Max Pitegoff, Foreword after adding the second excerpt from Emily Segal’s novel in progress (February 22), 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 007 Calla Henkel & Max Pitegoff, Foreword, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 006 Calla Henkel & Max Pitegoff, Foreword, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 005 Calla Henkel & Max Pitegoff, Foreword, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 004 Calla Henkel & Max Pitegoff, Foreword, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 003 Calla Henkel & Max Pitegoff, Foreword, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 002 Calla Henkel & Max Pitegoff, Foreword, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Calla Henkel & Max Pitegoff — Foreword — image 001 Artists Calla Henkel and Max Pittegoff photographed during the opening of their exhibition Foreword, 2016, photographer Aad Hoogendoorn, Witte de With Center for Contemporary Art 2016
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Charlemagne Palestine — GesammttkkunnsttMeshuggahhLaandtttt — image 004
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Charlemagne Palestine — GesammttkkunnsttMeshuggahhLaandtttt — image 003 Exhibition view GesammttkkunnsttMeshuggahhLaandtttt, Charlemagne Palestine, 2015. Photography Aad Hoogendoorn
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Charlemagne Palestine — GesammttkkunnsttMeshuggahhLaandtttt — image 002 Exhibition view GesammttkkunnsttMeshuggahhLaandtttt, Charlemagne Palestine, 2015. Photography Aad Hoogendoorn
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Charlemagne Palestine — GesammttkkunnsttMeshuggahhLaandtttt — image 001 Exhibition view GesammttkkunnsttMeshuggahhLaandtttt, Charlemagne Palestine, 2015. Photography Aad Hoogendoorn
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Rotterdam Cultural Histories #7: Perish festival — image 001 Bik Van der Pol, Sleep with me, 1997 during festival Perish at Duende, photo courtesy of the artist
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Oscar Santillan — Zaratán — image 007 Oscar Santillan, Zaratán, 2016, photographer Aad Hoogendoorn, installation photo Witte de With Center for Contemporary Art 2016
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Oscar Santillan — Zaratán — image 006 Oscar Santillan, Traverse #1, Traverse #2, Traverse #3, 2016 part of the exhibition Zaratán at Witte de With Center for Contemporary Art in 2016, photographer Aad Hoogendoorn