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On Melly Shum — image 003 Photographer: Jeroen Lavèn
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On Melly Shum — image 002 Photographer: Jeroen Lavèn
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On Melly Shum — image 001 Photographer: Jeroen Lavèn
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An Exhibition of Posters — image 003 Exhibition overview An exhibition of posters by Maja Bekan, Kévin Bray, Chloë Delanghe, Baldvin Einarsson, Priscila Fernandes, Vera Gulikers, An Onghena, Kevin Osepa, Josie Perry, Rory Pilgrim, Tramaine de Senna and Edward Clydesdale Thomson, photographer Jeroen Lavèn.
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An Exhibition of Posters — image 002 Exhibition overview An exhibition of posters by Maja Bekan, Kévin Bray, Chloë Delanghe, Baldvin Einarsson, Priscila Fernandes, Vera Gulikers, An Onghena, Kevin Osepa, Josie Perry, Rory Pilgrim, Tramaine de Senna and Edward Clydesdale Thomson, photographer Jeroen Lavèn.
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An Exhibition of Posters — image 001 Exhibition overview An exhibition of posters by Maja Bekan, Kévin Bray, Chloë Delanghe, Baldvin Einarsson, Priscila Fernandes, Vera Gulikers, An Onghena, Kevin Osepa, Josie Perry, Rory Pilgrim, Tramaine de Senna and Edward Clydesdale Thomson, photographer Jeroen Lavèn.
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Rotterdam Cultural Histories #16: How does one get from Salvador Allende Street to the André van der Louw Bridge? — image 004 The inauguration of the Salvador Allende Center in Rotterdam, 1977. Photographer: Ary Groenveld, courtesy of Rotterdam City Archive.
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Rotterdam Cultural Histories #16: How does one get from Salvador Allende Street to the André van der Louw Bridge? — image 003 A collective action outside De Doelen. Photographer unkown, courtesy of Spaarnestad Archive.
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Rotterdam Cultural Histories #16: How does one get from Salvador Allende Street to the André van der Louw Bridge? — image 002 Photographer unkown, courtesy of the Juan Heinsohn Huala Archive.
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Rotterdam Cultural Histories #16: How does one get from Salvador Allende Street to the André van der Louw Bridge? — image 001 Source: Siebe Thissen, Mooi van ver: Muurschilederingen in Rotterdam. Rotterdam: Trichis Publishing, 2017, pp. 102-103, courtesy Stadsarchief.
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Melike Kara, new work — image 003 Melike Kara, Têpiya, and Vêsaniya [in front], 2019, acrylic, lacquer, lokum, wood, fabric. Courtesy of the artist, Jan Kaps, and Peres Projects. And I hear the tongues [center], 2019, oil sticks and acrylic on canvas. Courtesy of the artist and Peres Projects. And Tiefe Schluchten langer Schnee [right], 2018, oil sticks and acrylic on canvas. Courtesy of the artist and Jan Kaps. Installation view Melike Kara, new work at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Melike Kara, new work — image 002 Melike Kara, ICE BLUE TEETH [left and right], 2019, diptych, oil sticks and acrylic on canvas. Collection Oehmen. And Do you remember [center], 2019, oil sticks and acrylic on canvas. Courtesy of the artist and Jan Kaps. Installation view Melike Kara, new work at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Melike Kara, new work — image 001 Melike Kara, A ke, Ma, Diya, Kes,and Nêdiya [in front], all 2019, acrylic, lacquer, wood, fabric. Courtesy of the artist, Jan Kaps, and Peres Projects. And Once [top left], 2019, oil sticks and acrylic on canvas. Courtesy of the artist and Peres Projects. And Morning mists [top right], 2019, oil sticks and acrylic on canvas. Courtesy of the artist and Peres Projects. And We weigh the spices the fruits the books (the wrongs the rights) [bottom], 2019, oil sticks and acrylic on canvas. Courtesy of the artist and Jan Kaps. Installation view Melike Kara, new work at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Mariana Castillo Deball, a solo exhibition — image 003 Mariana Castillo Deball, Do ut des Berlin, Do ut des Amsterdam, Do ut des Madrid, Do ut des Budapest, Do ut des Vienna, Do ut des Berlin, all works 2019, perforated books in wooden stands. Courtesy the artist and Mendes Wood DM. Installation view Mariana Castillo Deball, a solo exhibition at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Mariana Castillo Deball, a solo exhibition — image 002 Mariana Castillo Deball, Para qué me diste las manos llenas de color, / todo lo que toque se llenará de sol, 2019, mural painting made with natural pigments. Courtesy the artist. And Perfecto Luna naranja, Perfecto Luna azul, Perfecto Luna verde, Perfecto Luna rojo, Perfecto Luna amarillo, materia de los días, all works 2019, scagliola. Courtesy the artist and kurimanzutto. Installation view Mariana Castillo Deball, a solo exhibition at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Mariana Castillo Deball, a solo exhibition — image 001 Mariana Castillo Deball, Uncomfortable Objects, 2012, metal structure, papier-mâché, and aluminum wire. Courtesy the artist and Galerie Barbara Wien, Berlin. Installation view Mariana Castillo Deball, a solo exhibition at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Cecilia Vicuña, a retrospective exhibition — image 003 Cecilia Vicuña, Pueblo de altares, 1990–2019, site-specific installation including sixty Precarios [Precarious objects]. Courtesy of the artist. Installation view Cecilia Vicuña, a retrospective exhibition at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Cecilia Vicuña, a retrospective exhibition — image 002 Installation view of a selection of works from the artist’s Palabrarmas series in Cecilia Vicuña, a retrospective exhibition at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Cecilia Vicuña, a retrospective exhibition — image 001 Cecilia Vicuña, Quipu menstrual (la sangre de los glaciares) [Menstrual Quipu (The Blood of Glaciers)], 2006, installation including wool, a letter to Michelle Bachelet, video, invitation card, and fragment of poem. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Installation view Cecilia Vicuña, a retrospective exhibition at Witte de With Center for Contemporary Art, 2019. Photographer: Kristien Daem.
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Rossella Biscotti, new work — image 005 Rossella Biscotti, Clara, 2016–2019, document transfer on wall. Exhibition overview Rossella Biscotti, new work, 2019, Witte de With Center for Contemporary Art, Rotterdam. Photographer: Kristien Daem.
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Rossella Biscotti, new work — image 004 Rossella Biscotti, Sanikem—Nyai Ontosoroh—Madame Le Boucq, Maiko, Annalies, Mei, Surati, Princess of Kasiruta, 2019, material line natural rubber, food coloring. Exhibition overview Rossella Biscotti, new work, 2019, Witte de With Center for Contemporary Art, Rotterdam. Photographer: Kristien Daem.
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Rossella Biscotti, new work — image 003 Rossella Biscotti, Sanikem—Nyai Ontosoroh—Madame Le Boucq, Maiko, Annalies, Mei, Surati, Princess of Kasiruta, 2019, material line natural rubber, food coloring. Exhibition overview Rossella Biscotti, new work, 2019, Witte de With Center for Contemporary Art, Rotterdam. Photographer: Kristien Daem.
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Rossella Biscotti, new work — image 002 Rossella Biscotti, Live feed, 2019, silkscreen on cotton, rubber. Exhibition overview Rossella Biscotti, new work, 2019, Witte de With Center for Contemporary Art, Rotterdam. Photographer: Kristien Daem.
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Rossella Biscotti, new work — image 001 Rossella Biscotti, Seeds, 2019, and Dismembered Rafflesia, 2019, silkscreen on cotton, rubber. Exhibition overview Rossella Biscotti, new work, 2019, Witte de With Center for Contemporary Art, Rotterdam. Photographer: Kristien Daem.
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Alejandro Cesarco, a solo exhibition — image 005 Alejandro Cesarco, Index, 2000. Exhibition overview Alejandro Cesarco, a solo exhibition, 2019, Witte de With Center for Contemporary Art, Rotterdam. Photographer: Kristien Daem.