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Maria Pask: Zandra Rhodes’ Bedroom; A Room to Read Auden — image 005
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Maria Pask: Zandra Rhodes’ Bedroom; A Room to Read Auden — image 004
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Maria Pask: Zandra Rhodes’ Bedroom; A Room to Read Auden — image 003
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Maria Pask: Zandra Rhodes’ Bedroom; A Room to Read Auden — image 002
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Maria Pask: Zandra Rhodes’ Bedroom; A Room to Read Auden — image 001
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MELLY: Tools for Conviviality — image 004 MELLY, Photo credits: Aad Hoogendoorn
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MELLY: Tools for Conviviality — image 003 MELLY, Photo credits: Aad Hoogendoorn
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MELLY: Tools for Conviviality — image 002 MELLY, Photo credits: Aad Hoogendoorn
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MELLY: Tools for Conviviality — image 001 MELLY, Photo credits: Aad Hoogendoorn
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Joy Mariama Smith: Black Joy/White Fragility — image 005 Installation view Joy Mariama Smith, Black Joy/White Fragility (2021), Kunstinstituut Melly (Rotterdam). Photo: Franz Mueller Schmidt, all rights reserved by Hartwig Art Foundation.
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Joy Mariama Smith: Black Joy/White Fragility — image 004 Installation view Joy Mariama Smith, Black Joy/White Fragility (2021), Kunstinstituut Melly (Rotterdam). Photo: Franz Mueller Schmidt, all rights reserved by Hartwig Art Foundation.
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Joy Mariama Smith: Black Joy/White Fragility — image 003 Installation view Joy Mariama Smith, Black Joy/White Fragility (2021), Kunstinstituut Melly (Rotterdam). Photo: Franz Mueller Schmidt, all rights reserved by Hartwig Art Foundation.
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Joy Mariama Smith: Black Joy/White Fragility — image 002 Installation view Joy Mariama Smith, Black Joy/White Fragility (2021), Kunstinstituut Melly (Rotterdam). Photo: Franz Mueller Schmidt, all rights reserved by Hartwig Art Foundation.
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Joy Mariama Smith: Black Joy/White Fragility — image 001 Installation view Joy Mariama Smith, Black Joy/White Fragility (2021), Kunstinstituut Melly (Rotterdam). Photo: Franz Mueller Schmidt, all rights reserved by Hartwig Art Foundation.
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Sara Sejin Chang (Sara van der Heide): Dismemberment — image 005 Sara Sejin Chang (Sara van der Heide), Dismemberment (2024), Courtesy to the artist, Photo credit: Johannes Schwartz
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Sara Sejin Chang (Sara van der Heide): Dismemberment — image 004 Sara Sejin Chang (Sara van der Heide), Dismemberment (2024), Courtesy to the artist, Photo credit: Johannes Schwartz
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Sara Sejin Chang (Sara van der Heide): Dismemberment — image 003 Sara Sejin Chang (Sara van der Heide), Dismemberment (2024), Courtesy to the artist, Photo credit: Johannes Schwartz
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Sara Sejin Chang (Sara van der Heide): Dismemberment — image 002 Sara Sejin Chang (Sara van der Heide), Dismemberment (2024), filminstallation, video 45’, paintings and sculptures, Courtesy to the artist, Photo credit: Johannes Schwartz
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Sara Sejin Chang (Sara van der Heide): Dismemberment — image 001 Sara Sejin Chang (Sara van der Heide), Dismemberment (2024), filminstallation, video 45’, paintings and sculptures, filmstill, Courtesy to the artist
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Nolan Oswald Dennis: geo-logics — image 007 iduku [01], Courtesy of Nolan Oswald Dennis & molalatladi
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Nolan Oswald Dennis: geo-logics — image 006 Superspositions/Isivivane, Nolan Oswald Dennis (research station), 2022, Courtesy the artist and Javett-UP, Photo credit: Aad Hoogendoorn
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Nolan Oswald Dennis: geo-logics — image 005 Superspositions/Isivivane, Nolan Oswald Dennis (research station), 2022, Courtesy the artist and Javett-UP, Photo credit: Aad Hoogendoorn
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Nolan Oswald Dennis: geo-logics — image 004 specifications for a reverse archaeology, Nolan Oswald Dennis, 2022 - 2023, Courtesy the artist, Photo credit: Aad Hoogendoorn
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Nolan Oswald Dennis: geo-logics — image 003 specifications for a reverse archaeology, Nolan Oswald Dennis, 2022 - 2023, Courtesy the artist, Photo credit: Aad Hoogendoorn
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Nolan Oswald Dennis: geo-logics — image 002 specifications for a reverse archaeology, Nolan Oswald Dennis, 2022 - 2023, Courtesy the artist, Photo credit: Aad Hoogendoorn